The Feminist Subversion of Art

Ridley Scott's attempt at capturing the life of Napoleon reveals his political leanings, if anything.

The new movie by Ridley Scott about Napoleon Bonaparte was released on Thanksgiving Day, and unfortunately, it is a disaster.

According to a plethora of reviews, many people, for the first time in their lives, considered walking out of the theater during the movie.

I was woefully unsurprised to learn that Napoleon was reduced to no more than a simp for Josephine. It is yet again, another example of the feminist subversion of not just art, but this time, the legacy of a great man, and history itself.

The revised text with corrections in punctuation, grammar, and spelling is as follows:

"The new movie by Ridley Scott about Napoleon Bonaparte was released on Thanksgiving Day, and unfortunately, it is a disaster.

According to a plethora of reviews, many people, for the first time in their lives, considered walking out of the theater during the movie.

I was woefully unsurprised to learn that Napoleon was reduced to no more than a simp for Josephine. It is yet again, another example of the feminist subversion of not just art, but this time, the legacy of a great man, and history itself.

As much as modern academics hate men, and anything masculine, they envy it to the same degree. If they did not, they would not ascribe masculine traits to women in history and art.

Let's examine 'Game of Thrones,' written by George R.R. Martin, for example.

Set in a high fantasy world, the warfare in which roughly represents Middle Age combat, 'Game of Thrones' expectedly so, features lots of men fighting each other with swords, shields, bows, axes, and the like.

As with many other fiction series brought to film, the books differ from the story seen on the big screen in many ways, however, I want to focus on a select few.

In the TV show, as in the book, there is a female character named Brienne of Tarth, an overlarge woman who is good at nothing ladylike but who is skilled in combat.

In the show, Tarth’s abilities go even further. She is not only able to defeat Jaime Lannister, allegedly the most skilled swordsman in the kingdom, but she is also able to defeat Sandor Clegane, aka The Hound. Mind you, this man stands some 6’5” tall and weighs well over 250 pounds. Yet, Brienne of Tarth, a woman, is able to defeat both with relative ease on-screen.

Neither of these instances occur in Martin’s original book series, but the producers of the TV shows, two Jews named Daniel Weiss and David Friedman (who goes by the name David Benioff, likely to hide his Jewishness), decided to alter the source text to their liking and presumably, to the liking of a portion of the viewership.

To paraphrase Pennsylvania radio talk show host, Jim Quinn, there’s only so many times one can stand to watch Angelina Jolie knock out 10 linebackers before it starts to become cartoonish. As if a woman knocking out even one man is not arguably cartoonish already.

It is unfortunate that Ridley Scott’s 'Napoleon' is such a disappointment, and mind you, I am not even going to bother to waste my time trying to watch it. I will take other people’s word for it, as it is an amazing life I would much rather read about anyways.

Scott’s legacy is not ruined. He still has masterpieces like 'Gladiator' and 'Kingdom of Heaven' under his belt. His legacy is tarnished, however, and with 'Gladiator 2' set for release in 2024, it appears he may not be done with the discoloration yet.

Sadly, Napoleon appears to be nothing more than an anti-French hit-piece by MI6.

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Addy Adds is a 100% independent author, writer, investigative journalist, independent video producer, radio talk show host, and editor. His work has been stolen by hundreds and viewed/read by millions. Once called the “best young mind in political journalism,” with his work also described as “genius,” Addy Adds turned down an in-field recruitment from the CIA during his coverage of Brazil in 2022, the first known instance of such an event to be caught on video.